Denny carmassi biography of michaels

I've played with many guitar players over the years, some with big reputations, and Ronnie stands out as one of the best. Ronnie found me playing in a little club in Northern California. I'll always have a sense of gratitude towards him. If I can help out in any way, I'll be there. It's worth it just for the laughs. Seeing Glenn and Davey was a gas too.

Too bad Mitchell wasn't able to make it. I don't remember much record company interference. Ronnie probably had to deal with that more than any of us. But that's the beauty of an internet record, you can do whatever you want. The record was a lot of fun to make. Hopefully that fun got caught on tape. JW In the 's thru the early 90's you were a member of Heart.

This was during the 80's big glamour rock days. In a recent VH1 Behind the Music, Ann and Nancy Wilson talked about how pressure from the lable regarding the bands appearance became almost more inportant than the music itself. How did the pressure from the lable to have the band Look a certain way affect your relationships and performances with the band?

DC The only pressure from Capitol records was to have good songs. Which meant using outside songwriters. There was never any pressure from Capitol about the way we looked. We worked with clothes designers, but we ultimately wore what we wanted. Image was always important to Heart. They were wearing spandex and low cut blouses long before I joined the band.

The Look being more important than the music? That simpley isn't true. That's all part of the "spin" that was put on the VH1 piece. All anyone ever wanted was a good, healthy looking duo up front. But a lifestyle of excess didn't further that goal. Did that affect the relationships and performances with the band. JW Having done a lot of studio work and touring with such bands as Montrose, Sammy Hagar, Gamma and Heart, do you have a preference to working on music in the studio, or getting out on the road and playing live?

And how is playing a small venue different from playing to very large audiences? DC I love both senarios really. Playing live is always a challange. Every night is different. It's risk and reward, with peaks and valleys. The trick is consistency. Mentally you have to be sharp, and extremely focused. It's funny how you can be really sick, play a two hour show, and that's the best you've felt all day.

Of course, then you just totally collapse. But the older I get, my appetite for the road becomes less and less. I was on the road almost non-stop for the better part of 20 years. I have a family and it's nice to see my kids grow up. I love the creative part of being in the studio. Watching an idea take on a life of it's own is just an absolute thrill.

What I love is when you get "the take. To be a part of that process, I find to be almost addicting. At the end of the day it can be extremely satisfying.

Denny carmassi biography of michaels

Small venues are a lot of fun. I play a lot of those types of gigs with David Coverdale, in Europe and Japan. The accoustics are usually very good. The audience is more intimate. You can hear well on stage. Good eye contact with the other players. It makes for a more pleasurable experience for everyone involved, musicians and audience.

Contact About Privacy. Joe King. Vladimir Zhechkov. Ronnie James Dio. John Lennon. Martin Bramah. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. Discography [ edit ]. By date [ edit ].

References [ edit ]. Accessed June 5, Hal Leonard. ISBN External links [ edit ]. Montrose Paper Money Warner Bros. Presents Montrose! Jump on It Mean. The Very Best of Montrose. Gamma Van Halen Chickenfoot. Sammy Hagar. At Your Service.