Konstantin stanislavskij biography of donald

Alekseyev started acting at the age of 14, joining the family drama circle. He developed his theatrical skills considerably over time, performing with other acting groups while working in his clan's manufacturing business. Inhe gave himself the stage moniker of Stanislavski — the name of a fellow actor he'd met. He married teacher Maria Perevoshchikova three years later, and she would join her husband in the serious study and pursuit of acting.

Opening the Moscow Art Theatre InStanislavski founded the Society of Art and Literature, with which he performed and directed productions for almost a decade. The theater's subsequent production of The Seagull was a landmark achievement and reignited the career of its writer Anton Chekhovwho went on to craft plays specifically for the company.

This condition is paradise for the actor! He believed actors should also dive into the inner motives of their character to justify physical and vocal actions.

Konstantin stanislavskij biography of donald

The 17th Century melodrama "Tsar Fyodor" was the first production in which these techniques were showcased. How can the actor learn to inspire himself? What can he do to impel himself toward that necessary yet maddeningly elusive creative mood? These were the simple, awesome riddles Stanislavksi dedicated his life to exploring. Where and how to 'seek those roads into the secret sources of inspiration must serve as the fundamental life problem of every true actor' If the ability to receive the creative mood in its full measure is given to the genius by nature", Stanislavski wondered, "then perhaps ordinary people may reach a like state after a great deal of hard work with themselves - not in its full measure, but at least in part.

With their social consciousness and emphasis on the importance of imagery and theme rather than plot, they were blank canvasses on which Stanislavski could exercise his artful hand. Stanislavski clearly could not separate the theatre from its social context. He viewed theatre as a medium with great social and educational significance. During the civil unrest leading up to the first Russian revolution inStanislavski courageously reflected social issues on the stage.

The director is no longer king, as before, when the actor possessed no clear individuality. Stanislavski's production of A Month in the Country was a watershed in his artistic development. Then, immediately, in my own words, I play each bit, observing all the curves. Then I go through the experiences of each bit ten times or so with its curves not in a fixed way, not being consistent.

Then I follow the successive bits in the book. And finally, I make the transition, imperceptibly, to the experiences as expressed in the actual words of the part.