Krista isu 5 ni budjette tan biography

English thirteen issues 1 comic. Tagalog buod ng kwento sa trese isyu. English summary of the story in thirteen issues. Tagalog sinu-sino ang mga tauhan sa kwentong trese isyu 5. English who staff the story of thirteen issues 5. Get a better translation with 8,, human contributions. Comic Beat. Retrieved July 12, May 20, Retrieved June 13, Retrieved January 17, Difference Engine.

June 7, GMA News Online. June 20, June 8, Trese was inspired by the stories I heard as a child. It was inspired by the stories I shared with my friends during grade school, high school, and college. It was inspired by everything that I read—the books that I read, the songs that I listened to, the movies and TV shows that I watched. It was inspired by growing up in Manila, by the news that I read, the news that I saw.

And again, just the stories of everyday people. And it just, finally, ended up getting into this right mix. It just started to feel new and exciting for me when I finally put this mix together. I remember how, around that time I was starting to write Trese, it was also the time that AXN the cable channel started to show Ghost in the Shell.

And strangely enough, it was how the Ghost in the Shell episodes were written and structured, and the themes being covered by Ghost in the Shell that partly inspired me to do the Trese episodes. But this time I flipped it around. And instead of sci-fi, I made everything magic. And funnily enough, it turns out and I only found out about it later on Kajo was also into Ghost in the Shell at that time, and he said that also inspired him in the look and design of Trese.

And finding the thing that excites me. You can feel it. I remember we once interviewed Pol Medina Jr. We invited him for a day to talk about writing Pugad Baboy, writing comedy, writing humor or satire. And he said he just feels it. If you ask Kajo this question he will most probably say we are making Trese for two people. We are making Trese for Budjette and Kajo.

When we started had no pretensions of it becoming a bestseller, of it becoming an award-winning comic book. We just wanted to do it because it was fun. We wanted to do our own comic book because we were working in an industry where every day your idea was rejected, where every day your idea was scrutinized and criticized, and was shot down. And I guess we just wanted to do something where no one else was the judge except ourselves.

And that we wanted to do it for fun. And I guess that would be the simplest reason why I still write stories. It is a big bonus, of course, that other people like it. I like telling stories. I like sharing my stories with people. And of course it would be great if this passion and this love for telling stories can be a way to make a krista isu 5 ni budjette tan biography.

Q: What 3 stories comics, movies, documentaries, novels, etc. Of course, sticking to Trese it would be, like I mentioned earlier… it was Warren Ellis who, at the time, he was saying comic books should be pop culture grenades. I guess he was ranting against this whole 50 years of continuity that new readers were afraid to get into. And it was during that time he had at column at Comic Book Resources CBR and he would talk about his, I guess his belief system and his manifesto on creating comics.

And in one of those articles he talked about making comic books a pop culture grenade. So if you take a look at what he was doing at that time. And I took that to heart. It was a challenge. He was challenging comic book creators at the time to do that. Where are all of the old creatures of Philippine myth and folklore, and have they found new jobs in the city.

Also Twilight Zone was a big influence in my storytelling. Again, Twilight Zone did feel like cultural grenades, in the words of Warren Ellis. They were like mini movies sometimes, wherein whether it was like a five-minute episode or a thirty-minute episode, the best stories felt like you were introduced to this fantastic universe or parallel world that you wanted to explore more of.

And I like how those stories were structured, and how most of the stories had this little twist in the end. It just completely surprised you. And I love those, those little twist endings that Twilight Zone would usually have. X-Files showed that you could use the procedural format to explore the supernatural and the paranormal. CSI showed that you could focus on a different way of explaining the crime.

It used science to explain how a crime was done. It was a howdunit. So, yeah, those are, I guess, the big influences on Trese. And I guess you could say that somehow they also influence my other works as well. My dad was a broadcaster. He worked in TV. So I found these scriptwriting books and started to read them. And in the back they actually reproduced the entire script of one of the stories.

So, suddenly, it was like, a revelation. But later on there were some books that I found in National Bookstore about how to write comics. The great thing about this book is that it does take you through the art side of it, as well as the business side of it. Of course, this is designed for comic book creators in America, which is why when you get to the business side of it, it actually teaches you how to solicit your book into the previews catalogues through Diamond distributors.

It also teaches you how to price your comic book, how to promote your comic book online. And the wonderful thing about the book is they actually created brand new characters. So they show you how they created these new characters, how they came up with the concept for it, how they wrote the script, how they designed the characters. And then they show you how the pages were penciled, inked, lettered, and colored.

The great thing about the Brian Bendis book is that he also has interviews with writers, editors, and artists. So you get that perspective of what are editors looking for. So it also gives you multiple points of views with a whole lot of Marvel art at that. There are also other books. So it was just great to see all of these different writers talk about it—which just goes to show that there is no one singular way of making a comic book script, or making that comic book.

It was also inspiring to hear their stories as well on how they were able to create their own, or the struggles of being a comic book writer. Those would be the books I know that are available locally. So I have seen some of these books at National Bookstore. So, in other words, they have started to solicit books that are about how to draw, how to write, and all of these other books.

There are not a lot of workshops. I do know that the Komiket groupat least, used to do comic book workshops, and then the output of those comic book workshops is that the winners, or somehow the participants of the workshop get to get a free table at Komiket itself. So just check out Komiket on Facebook and see if that workshop is still ongoing.

Budj, Trese really is turning into your forte! Great stuff. You MUST gather all these stories into a printed compilation someday.

Krista isu 5 ni budjette tan biography

And continue the series even after your original 13 issue run. Hey guys! Thanks very much for the kind words. Glad you're still enjoying the ride. Definitely, me and Kajo are excited everytime Alexandra and the Kambal take us down the dark streets of their Manila. After reading Arnold's Andong Agimat, I get treated to this beautiful tale of magical Filipino superfantasy.

You guys continue to inspire me. A few questions Page 15, "several boyfriends laterS" - intentional? Anyway, love the not-so-veiled references! You're having FUN, aren't you?