Michael aston gene loves jezebel wife

Jay Aston can remember when Gene Loves Jezebel started to fall apart. It was around the time of their album The House Of Dollsand his band had changed from spider-haired post-punks into goth -pop pin-ups. I was getting frustrated with how things were and how my brother was. His identical twin Michael can remember when it unravelled, too. I was in agony at how simple the songs had become, how moronic the lyrics were.

So I left. The story of Gene Loves Jezebel, the band who brought an explosion of vivid colour to the black-and-white palette of s goth, is summed up in those two quotes. Not the literal story — that stretches back to a steel town in South Wales at the end of the s and continues right up to the present day. But together they encapsulate the real story of Gene Loves Jezebel, a fraternal bond that was strained, then broken beyond repair.

Today, two versions of Gene Loves Jezebel exist, one led by Jay Aston, the other by Michael, each eyeing the other with a mixture of frustration and hostility. This was originally supposed to be an interview with Jay Aston about Dance Underwaterthe new album from his version of Gene Loves Jezebel, their first in 14 years. Part of it is down to simple genetics — they look the same, sound the same, sing the same way, at least to the outsider.

And for all the rancour between them, their view of what happened with Gene Loves Jezebel is the same song with a different tune. Like so many musicians who came of age in the late 70s, Gene Loves Jezebel were outsiders. As kids in the steel town of Porthcawl, South Wales, the Astons spent much of their time fighting with the local rugby boys.

Music provided an escape: punk and post-punk, Bowie, Zeppelin. Jay loved the epic pop of the Beach Boys and Phil Spector.

Michael aston gene loves jezebel wife

Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. From it came Gorgeousa month later. All was not well in the Jezebels camp and Mike Aston left the group in mid Ironically, the band gained their highest-charting American single the following year, when Jealousthe major single from Kiss of Lifereached 68 in August Two years later, Jay Aston and company released Heavenly Bodieswhich did well in Europe and on American college radio but the band called it quits shortly thereafter.

Michael Aston began working with a new band called the Immigrants. Two years later, he re-formed the band as Edith Grove and released a self-titled album. References [ edit ]. Archived from the original on 17 May Retrieved 9 April Retrieved 27 November ISBN BBC Wales. Archived from the original on 3 October Retrieved 3 July Michael Aston's Gene Loves Jezebel website.

Archived from the original on 5 March Archived from the original on 21 December Retrieved 5 February Gene Loves Jezebel. Retrieved 14 April Goldmine Magazine. Retrieved 11 January London: Guinness World Records Limited. Indie Hits Cherry Red Books. Retrieved 27 June