Vaggelis salinas biography of william

He considered musical composing a science rather than an art, similar to Pythagoreanism. He also played and used many acoustic and folk instruments when required [1] and was a keen percussionist in addition to a standard drum kit, he performed on vibraphone, timpani, symphonic gongs and snare drums, various gamelan instruments, a tubular bell, a wind gong, a bell tree, and crotales.

On several of his albums, he employed a live choir and classical soprano usually Vana Veroutis. I don't always play synthesizers. I play acoustic instruments with the same pleasure. I'm happy when I have unlimited choice; in order to do that, you need everything from simple acoustic sounds to electronic sounds. I ; and the Dubrecq Stylophone S. He would use this instrument throughout the s and s to the point that its timbres, abilities, and idiosyncrasies became closely associated with his musical signature.

In a interview, Vangelis described the CS as "the most important synthesizer in my career — and for me the best analogue synthesizer design there has ever been It needs a lot of practice if you want to be able to play it properly, but that's because it's the only synthesizer I could describe as being a real instrument, mainly because of the keyboard — the way it's built and what you can do with it.

Vangelis disliked programming-oriented sampling devices like the Fairlight CMI considering them to be too far removed from being relatable instruments and remained unimpressed by many of the later commercial s polysynths such as the Yamaha DX7 ; however, he did use the E-mu Emulator sampler, [15] in particular the Emulator II model. During this time, Vangelis also made a return to Korg keyboards acquiring a DW and a Poly as well as adding the Ensoniq Mirage to his sampler armoury.

Sequencing was now handled by a Roland MSQ The group released the album Rain and Tears and the double-album in France, before they broke up in Instead of moving onto another band, Vangelis began scoring music for French television documentaries. Vangelis released his first solo album Dragon in on Phillips Records. Inhe moved to London, England, to work with the rock band Yes.

Rumors began circulating that Vangelis would replace former Yes keyboardist Rick Wakeman.

Vaggelis salinas biography of william

However, after he rehearsed with the band for a few weeks, Vangelis determined that his musical direction was not in line with the rest of the group. But he did continue a long friendship with singer Jon Anderson. He often referred to it as his laboratory. Music from the album was later used in Carl Sagan]s Cosmos television series.

InVangelis made his mark in the world of music with the soundtrack for a film about the Olympics, called Chariots of Fire. The soundtrack was still incomplete, as the film contained some non-Vangelis vaggelis salinas biography of william as well. The release still lacks some incidental music, most notably the background music from the Taffey Lewis bar scene featuring vocals by Demis Roussos.

They would eventually go on to release three more afterwards; The Friends of Mr. CairoPrivate Collection and Page of Life released in, and respectively. And Greece prefers to eat Vangelis who is its child rather than all those who have little to do with Greece, tradition, culture and its dreams. Vangelis performed live and released Mythodeaa predominantly orchestral rather than electronic piece that was originally written inand used by NASA as the theme for the Mars Odyssey mission in However, in a interview with The TelegraphVangelis talked openly about various parts of his life.

He stated in the interview that he was "never interested" in the "decadent lifestyle" of his band days, choosing not to take drugs or drink alcohol. At the time of the Telegraph interview, Vangelis was involved in his third long-term relationship. When asked why he had not had children, Vangelis replied Because of the amount of travelling I do and the nonsense of the music business.

I couldn't take care of a child in the way I think it should be taken care of. It is not known where Vangelis generally resides; he has stated that he "travels around", rather than settling down in one specific place or country for long periods of time. Cousteau had also specially prepared a film with Vangelis' music for the Earth Summit, which was to be held in Rio de Janeiro in The film alerted the attending dignitaries to the ecological devastation affecting our planet.

The documentary pointed out the alarming rate of climate change and, more importantly, the distressing poverty that prevailed around the world. Also inexactly a decade after Vangelis wrote the score for Blade Runner, director Ridley Scott asked him to write for his next epic, Conquest of Paradise. The subject was about one of the most celebrated figures in history - Christopher Columbus.

Vangelis created atmospheric music which added to the overall ambience of the film. The soundtrack portrayed a sense of nobility, the failed hopes and aspirations of the crew and a voyage to new discoveries. Throughout his prolific composing career, Vangelis received several honorary awards and titles, but one award worth highlighting is the Chevalier de Ordre des Arts et des Lettres.

This was given to Vangelis by the French Republic, infor his significant contributions to the arts. In Julythe eagerly awaited soundtrack to Blade Runner was made available to the general public for the first time. It coincided with the re-release of the film. Vangelis included tracks that were originally recorded for the film but were previously omitted.

This was a lovingly assembled album which befitted the storyline and highlighted the key moments in this iconic movie. Throughout his illustrious career, Vangelis avoided actively promoting his music. He gave very few interviews and limited his personal appearances in the media. Vangelis believed his music should be accepted on its own merit and did not warrant mass media exposure.

Sometimes, however, unintended promotion comes from the least expected sources. The music excited the audience, and soon its popularity spread to the radio, prompting its regular airplay. The theme was eventually issued as a single in Europe, and it became a resounding success. In Germany, it was the biggest selling single in chart history.

It was the same story for the album, which eventually attained certified gold and platinum discs in over 20 countries. The album featured sensual songs filled with breathtaking nocturnal orchestrations, from which two singles were released. A few months later, inVangelis was asked to write for Greek director Iannis Smaragdis, for his film Kavavis.

This was a portrait of the life of the vaggelis salina biography of william Greek poet Constantine P Cavafy. The movie was exhibited at a number of distinguished film festivals, and Vangelis received two honouree awards for the score. The album, released in Octoberexplores the mystery of underwater worlds and portrays a dream of sailing to distant harbours.

InVangelis accepted a commission from the organising committee in Athens. The project was to stage, direct and orchestrate the opening ceremony for the inauguration to the 6th IAAF World Athletics Championships, which was to take place in August. The Olympic stadium in Athens was transformed into a stunning ceremony of lights, images, music and dance.

It was attended by 60, spectators and televised worldwide to millions of viewers. He also composed uplifting music that was used through some segments of the ceremony. The 16th-century painter El Greco had been a profound influence on Vangelis. The release was limited to 3, copies and was only obtainable from the gallery in Athens. The music reflected a more serene and introspective side to Vangelis.

The album's meditative qualities were wholeheartedly welcomed and featured renowned Greek tenor Konstantinos Paliatsaras and Spanish soprano Montserrat Caballe. InVangelis was commissioned to create the music to accompany the unveiling of the official emblem of the Olympic Games. A year later, inhe was chosen to be the artistic director for the passing of the Olympic flag in Sydney.

On 28 Junethe red planet Mars was closer to the Earth than it had been for over a decade. It was the first concert of this kind to take place on the sacred ancient site. The concert was recorded and subsequently released on video. The anthem was performed during the opening ceremony in Busan, Korea. It featured traditional Korean and Japanese instrumentation.

The anthem evoked a feeling of world unity and ignited a great passion for the game. Since childhood, he also had a passion for painting and sculpting.