Abdur rahman boyati & feedback4oldnavy

In Rahman sang 16 songs for a CD under the banner of Digitone but he didn't get an honorarium. He has a reason for a grouse: his songs and tunes have been copied and misused by the established singers of the country. Rahman has a suggestion for his counterparts, "Don't copy songs, rather try to create new songs using your own talents.

During the programme he suddenly had a stroke. His situation has worsened and he is unable to afford his medical expenses. It is very unfortunate to see a great folk artist suffer in this manner. What's worse is that not many people have stepped forward to lend him a helping hand during his tough days. However, the powerful singer still maintains his optimism about his musical career.

To quote him, "Music is my soul. Though he received fame mainly in boyati folk songs, he also excelled in all other forms of folk genre such as Jari, Palli, Marfoti, Murshidi, Dehatatya, Shari, and even Qawali. Abdur Rahman Boyati made an immense contribution in popularizing folk songs to the general audience. During his long musical career, Abdur Rahman Boyati released around solo albums and mixed albums.

He also led the delegation of Bangladesh government to perform in many international cultural programs. Latest News. Photos of injured in July Revolution to be included in final list. Bulgaria, Romania to issue visas to Bangladeshi students.

Abdur rahman boyati & feedback4oldnavy

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Paralysed with a cerebral stroke on September 17, and unable to sing, for nearly ten years the legend survived on contributions from all sections of our society. Yet when it was time to bid our final adieu to the man who represented Bangladesh in many an international event, gaining admiration and respect for his raw and pristine artistry, the picture that was repetitive and revolting was his apparent state of economic hardship.

Revolting, for the media and social networks more than focusing on his music or his art or the man that was Rahman Boyati, went on an overdrive of shallow and hypocritical crocodile tears. Images of musical icons living and dying for what they believe in and the art they practice scrupulously at great sacrifices to their societal or even familial needs and wants — is neither new nor surprising.

In both cases the term is abusive, strips off dignity and is an insult to someone who has contributed enormously to culture by sticking true to our roots — our origin. That the death of Rahman Boyati is no less the death of a heritage dignitary, a Bangladesh Ambassador of our majority rural citizenry was selectively expunged from public memory. Economically disadvantaged singers and musicians have time and again been meted with the same treatment before or after their deaths.