Chris owen artist biography

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Chris owen artist biography

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Whoa, you've got an older browser! Or, we've got a glitch For a better experience, we recommend a newer browser. Ok, hide this. Chris Owen is known for Western scene, cowboy genre. Sales Stats. All Rights Reserved. Digital copying of these images and content strictly prohibited; violators will be subject to the law including the Digital Millennium Copyright Act.

Facts about Chris Owen. Biographies Publications Keywords. An image of Chris Owen. Tools of The Trade. The Horse Wrangler. Previous Next. Chris Owen b. His approach lends a distinct openness to his narratives, echoed in the use of white space on certain paintings. In these scenes, the narrative fades back onto the blank page, reopening it to interpretation.

Owen deftly translates this symbiosis into his paintings, especially in his more reflective works: A cowboy rests atop a horse, and both horse and rider are markedly at ease. In contrast, another painting depicts two cowhands chasing a runaway, and both cowboys and horses are driven with individual, definable determination. Owen employs a strong color sense to reinforce this approach, so, tonally, horse and rider become one.

The more loosely rendered environment enveloping them follows suit. He sees this reciprocity as a tension between the objective and the subjective. The viewer may experience a rhythmic correlation among motion, form, and brushwork. These painterly elements are arranged with subjective approaches designed to lift our cognitive veils beyond the ordinary, to see the world in unique, extraordinary ways.

When working in gouache, his first step is laying out both warm and cool washes on the paper. He then adds more darks and shadows. That textural essence surfaces in both his gouaches and his oils. In his gouache FLIGHT, for example, a white horse bursts from a background of powerful brown, green, and yellow brush strokes. A chromatic interplay occurs across the three figures, uniting them in more than behavior.

Owen maintains two studios—one in the town of Billings and another in a cabin he built about 10 minutes west of town. Owen hopes his paintings speak their own language. The rest must happen on its own. Anything else can become quite contrived. Featured in July Almost Home, oil, 30 x Back to Your Momma, oil, 36 x