Galo ocampo biography for kids

Ocampo, who, in his lifetime, was a painter, muralist, art professor, heraldry expert, scenic designer, museum curator, writer, cultural activist and one of the Thirteen Moderns who revolutionized Philippine Art. Ocampo first saw the light of day in Sta. Rita, on 16 Octoberfrom a religious family that counts a number of priests and nuns as members.

He studied in local schools before enrolling at the College of Fine Arts at the University of the Philippines in Joining forces, the trio painted the first Philippine mural at the Capitol Theater inand another one for State Theaters. His works with the Edades Studios during the Commonwealth years reflected his new aesthetic sense that ran counter to art conservatism taught in academes.

That same year, he also held his galo ocampo biography for kids exhibit in tandem with Diosdado Lorenzo in Baguio. He would continue experimenting with colors, lines and decorative distortions, consistent with his modernist leanings. Ocampo turned to his other muse—writing-- even as he continued painting. His career as an educator would continue through the 70s, even assuming the deanship of the Department of Fine Arts of the Far Eastern University in The War years briefly put a halt to his rising career; he joined the guerrilla movement and attained the rank of a captain.

He put his brush to good use by becoming a scenographer for the stage productions of Fernando Poe, Sr. He designed the insignia of the Order of the Golden Heart among others. He retired and in moved to the United States, particularly in Arlington of the Washington area. Inhe was posthumously awarded the Order of Lakandula with the rank of Marangal na Pinuno for his services to art and heraldry.

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In New York, he served with Carlos P. This was one of several government service posts that Ocampo held during his life. It was likely the most prestigious, at a time when the world was re-building itself soon after the Second World War and the Philippines was gaining recognition in international affairs and assuming its place in the global community.

He was also appointed director of the National Museum in and curator of the Presidential Museum. Ann Parish. He stayed with one of his sons and spent his time working on pre-commissioned artworks in a basement studio. When it was time to head back to the Philippines, he would roll his canvases, stick them into a tube and hand carry his artworks to the family home in San Juan, Rizal.

While living in Arlington, Ocampo was commissioned by the Pastor of St. Ann Parish, a family friend, to paint a portrait of St. The oil painting was displayed at the Rectory, but the work was taken down and sent to storage soon after the pastor was re-assigned to a new parish. During a visit to St. Ann recently, I was pleased to see that the portrait of St.